From: "Phil Allison"
References: <firstname.lastname@example.org> <96dU9.21919$jM5.email@example.com> <7KK7UhBclYI+Ewnc@jmwa.demon.co.uk>
Subject: Re: Acoustic Feedback reduction
X-Newsreader: Microsoft Outlook Express 5.50.4522.1200
Date: Mon, 13 Jan 2003 08:29:19 +1100
NNTP-Posting-Date: Mon, 13 Jan 2003 08:18:54 EST
Organization: Telstra BigPond Internet Services (http://www.bigpond.com)
"John Woodgate" wrote in message
> I read in sci.electronics.design that Phil Allison
> wrote (in <96dU9.21919$jM5.firstname.lastname@example.org>) about 'Acoustic
> Feedback reduction', on Sun, 12 Jan 2003:
> >Oh dear. John - where have you been ??
> Sitting in front of this computer, exchanging terms of endearment with
> you, for a lot of the time. (;-)
> I don't know about electronic music stuff, because nobody pays me to
> know about it. I have enough to do keeping track of 36 standards
> committees, quite a lot of which is measurement and verification lab
> work to try to ensure that the standards that I have anything to do with
> are at least marginally sensible.
** In your signature, John, it says something about "professional sound
reinforcement" - well that is the area of technology I work in.
If you have ever seen a working PA or SR system there in the FX rack
you will find a digital effects processor, possibly made by Yamaha, Roland,
Lexicon, TC Electronics et alia.
They all have a pitch shift function but never a frequency shift one.
Similarly I doubt there is a studio anywhere, small or large, that
does not have the same or similar units available. There are even battery
operated "pedals" that do it for guitarists.