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From: Don Pearce
Subject: Re: Acoustic Feedback reduction
Date: Wed, 15 Jan 2003 10:08:14 +0000
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On 15 Jan 2003 10:01:15 GMT, firstname.lastname@example.org (Gibbo) wrote:
>John Woodgate wrote:
>>> Despite Mr Wombat's assertions to the contrary. He's
>>>obviously not a musician (or just a very bad one).
>>Don't be misled by the poetical language. He usually does know what he's
>>talking about, but sometimes could write more clearly. But that applies
>I'm fully aware that Mr Wombat *does* indeed know plenty about audio but in
>this case he is wrong. A low E on a double bass will be roughly a *full* tone
>sharp with a 5Hz shift and it's own octave harmonic will be roughly a semitone
>sharp. The end result is a single note producing the two most important notes
>of a major seventh chord which has a very er "distinctive" sound.
Actually, in the case you describe it is an augmented seventh - and
founded on the wrong key by a whole tone. VERY distinctive, I would
say! The bassist would be almost unable to play - certainly believing
his instrument to be out of tune.
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