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Reply-To: "Kevin Aylward"
From: "Kevin Aylward"
References: <firstname.lastname@example.org> <email@example.com>
Subject: Re: Acoustic Feedback reduction
X-Newsreader: Microsoft Outlook Express 6.00.2800.1106
Date: Thu, 16 Jan 2003 09:13:34 -0000
NNTP-Posting-Date: Thu, 16 Jan 2003 09:13:38 GMT
Phil Allison wrote:
> "Kevin Aylward" wrote in message
>> Phil Allison wrote:
>>> "Kevin Aylward" wrote in message
>>>> One of my pet peeves is where those sad misguided soles try and
>>>> tune by using the string harmonic at the fifth fret with the next
>>>> higher string harmonic on the 7th fret. They like to think that
>>>> they are clever with this "advanced" technique, by assuming that
>>>> these harmonics are the same, but they aren't. The standard
>>>> flattened fifth tuning makes these harmonics slightly off by
>>>> design. I certainly notice the difference once the punter strums
>>>> his chord, but they are usually blissfully unaware.
>>> ** Big Kev can obviously hear tiny pitch errors that go unnoticed
>>> by mere mortals.
>> Try it.
> ** Non answer.
>>> Must be torture to have super hearing like that.
>>> Nothing EVER sounds in tune porperly - yuck !!
>> Get real. Its well known how sensitive the ear is to frequency
> ** False claim and false logic.
Look, I paid my 5 pounds, this isn't an argument, its just
>> If you can here the beat, you heard the difference. So, anything over
>> about 1Hz is going to be audible.
> ** Harmonic tuning of a bass guitar does NOT produce errors of the
> order of 1 Hz.
What part of:
>> certainly notice the difference once the punter strums his chord,
did you fail to understand? I thought it should be obvous that most bass
players don't strum chords.
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